本文作者:小思

考研英语真题2010

小思 09-20 15
考研英语真题2010摘要: 2010考研英语题2010年考研英语样题已经出炉,全卷与去年相比,题型有了新的变化,作文题材也做了较大调整。2010年的考研英语第一次分为英语1和英语2两套试卷一、完型填空 英...

2010考研英语题

2010年考研英语样题已经出炉,全卷与去年相比,题型有了新的变化,作文题材也做了较大调整。2010年的考研英语第一次分为英语1和英语2两套试卷一、完型填空 英语一和英语二试卷完型填空都是20道题,每题0.5分,分值总共是10分,但英语一大约是350个单词,远远多于英语二240—280的单词量,所以也要花费更多的时间去阅读。这要求考生不仅要有更快的阅读速度,而且要有更加扎实的语法知识和词汇基础,更加强悍的理解能力,这样才能在有限的时间里和文章长的情况下,既保证做完题目,又保证能做对题目。而对于英语二来说,考生只要掌握好英语的词汇、语法和结构就可以了。 二、写作 英语一和英语二的写作一样,都是分为小作文和大作文。小作文都是写的应用文,满分都是十分,字数要求的也一样,都是100个单词左右,不一样也就是内容和难度了。至于大作文,英语一要求的字数是160—200个单词,英语二则只要150个单词就行了;分值也不一样,英语一的分值达到20分,英语二则只有15分,跟四六级的分数一样。其它的都差不多。三、阅读理解 英语一和英语二的阅读理解都是四篇材料,每篇五道题,每题两分,一共四十分。它们唯一的不同是文章的字数和题目难度。英语一的四篇文章字数大概在1600个单词左右,每篇文章大约400个单词,并且其中还有一些偏生单词和超纲单词。而英语二的总字数在1500个单词左右,一篇文章还不到400个单词。因此可以说,英语一的难度比英语二大多了。 四、新题型 首先还是字数不一样,英语一是500—600个单词,英语二是450—550个单词。在难度上,无论是选择搭配题、正误判断题还是排序题,英语一的难度都要比英语二的难度要大。如果说英语二的新题型是基础版,那么英语一的新题型则可以看成是升级版。 五、英译汉 英译汉是英语一和英语二区别最大的部分。首先分值不一样:英语一的英译汉只有10分,而英语二的英译汉却有15分。其次是考查形式不一样:我们知道英语一的英译汉是给你一篇难度跟前面阅读理解差不多的文章,然后在里面划上五个长难句,叫你翻译,而且这五个句子彼此之间的联系不大。英语二的英译汉则是单独的一个部分,翻译的内容不是划线句子,而是一个或几个段落,这样就相对容易些,因为这些句子是连在一起的,彼此之间一定有联系。所以总的来说,英语一的英译汉比英语二英译汉要难。

第一部分 英语知识运用该部分不仅考查考生对不同语境中规范的语言要素(包括词汇、表达方式和结构)的掌握程度,而且还考查考生对语段特征(如连贯性和一致性等)的辨识能力等。共20小题,每小题0.5分,共10分。在一篇240-280词的文章中留出20个空白,要求考生从每题给出的4个选项中选出最佳答案,使补全后的文章意思通顺、前后连贯、结构完整。考生在答题卡1上作答。第二部分 阅读理解该部分由A、B、C三节组成,考查考生理解书面英语的能力。共30小题,每小题2分,共60分。A节(20题):主要考查考生理解主旨要义、具体信息、概念性含义,进行有关的判断、推理和引申,根据上下文推测生词的词义等能力。要求考生根据所提供的4篇(总长度约为1600词)文章的内容,从每题所给出的4个选项中选出最佳答案。考生在答题卡1上作答。B节(5题):主要考查考生对诸如连贯性、一致性等语段特征以及文章结构的理解。本部分有3种备选题型。每次考试从这3种备选题型中选择一种进行考查。考生在答题卡1上作答。备选题型有:⑴ 本部分的内容是一篇总长度为500-600词的文章,其中有5段空白,文章后有6-7段文字,要求考生根据文章内容从这6-7段文字中选择能分别放进文章中5个空白处的5段。⑵ 在一篇长度约500-600词的文章中,各段落的原有顺序已被打乱。要求考生根据文章内容和结构将所列段落(7-8个)重新排序,其中有2-3个段落在文章中的位置已给出。⑶ 在一篇长度500词的文章前或后有6-7段文字或6-7个概括句或小标题。这些文字或标题分别是对文章中某一部分的概括或举例。要求考生根据文章内容,从这6-7个选项中选出最恰当的5段文字或5个标题填入文章的空白处。C节(5题):主要考查考生准确理解概念或结构较复杂的英语文字材料的能力。要求考生阅读一篇约400词的文章,并将其中5个划线部分(约150词)翻译成汉语,要求译文准确、完整、通顺。考生在答题卡2上作答。第三部分 写作该部分由A、B两节组成,考查考生的书面表达能力。总分30分。A节:考生根据所给情景写出约100词(标点符号不计算在内)的应用性短文,包括私人和公务信函、备忘录、摘要、报告等。考生在答题卡2上作答。总分10分。B节:考生根据提示信息写出一篇160-200词的短文(标点符号不计算在内)。提示信息的形式有主题句、写作提纲、规定情景、图、表等。考生在答题卡2上作答。总分20分

这里应该是默认了洗手不用肥皂的意思,如you have many problems in communicating,like talking friendly with others.这里肯定是表明你与别人交流不礼貌。回到原文,它指的应该是用肥皂洗手这个问题(没有明确表明有没有用肥皂洗手),但从前后文推断可知他没用肥皂洗手。另一套中的instead of表达地比较明确

考研英语真题2010

Text 1 Of all the changes that have taken place in English-language newspapers during the past quarter-century, perhaps the most far-reaching has been the inexorable decline in the scope and seriousness of their arts coverage.(T1) It is difficult to the point of impossibility for the average reader under the age of forty to imagine a time when high-quality arts criticism could be found in most bit-city newspapers. Yet a considerable number of the most significant collections of criticism published in the 20th century consisted in large part of newspaper reviews. To read such books today is to marvel at the fact that their learned contents were once deemed suitable for publication in general-circulation dailies. We are even farther removed from the unfocused newspaper reviews published in England between the turn of the 20th century and the eve of World War 2,at a time when newsprint was dirt-cheap and stylish arts criticism was considered an ornament to the publications in which it appeared. In those far-off days, it was taken for granted that the critics of major papers would write in detail and at length about the events they covered. Theirs was a serious business. and even those reviews who wore their learning lightly, like George Bernard Shaw and Ernest Newman, could be trusted to know what they were a out. These men believed in journalism as a calling , and were proud to be published in the daily press. 'So few authors have brains enough or literary gift enough to keep their own end up in journalism,' Newman wrote, "that I am tempted to define "journalism" as "a term of contempt applied by writers who are not read to writers who are".' Unfortunately, these critics are virtually forgotten. Neville Cardus, who wrote for the Manchester Guardian from 1917 until shortly before his death in 1975, is now known solely as a writer of essays on the game of cricket. During his lifetime, though, he was also one of England's foremost classical-music critics, and a stylist so widely admired that his Autobiography (1947) became a best-seller. He was knighted in 1967,the first music critic to be so honored. Yet only one of his books is now in print, and his vast body of writings on music is unknown save to specialists. Is there any chance that Cardus's criticism will enjoy a revival? The prospect seems remote. Journalistic tastes had changed long before his death, and postmodern readers have little use for the richly uphostered Vicwardian prose in which he specialized. Moreover, the amateur tradition in music criticism has been in headlong . It is indicated in Paragraphs 1 and 2 thatA arts criticism has disappeared from big-city English-language newspapers used to carry more arts high-quality newspapers retain a large body of young readers doubt the suitability of criticism on . Newspaper reviews in England before World War 2 were characterized by A free casual elaborate radical . Which of the following would shaw and Newman most probably agree on?A It is writers' duty to fulfill journalistic It is contemptible for writers to be Writers are likely to be tempted into Not all writers are capable of journalistic . What can be learned about Cardus according to the last two paragraphs?A His music criticism may not appeal to readers His reputation as a music critic has long been in His style caters largely to modern His writings fail to follow the amateur . What would be the best title for the text?A Newspapers of the Good Old DaysB The Lost Horizon in NewspapersC Mournful Decline of JournalismD Prominent Critics in Memory

考过就忘了一干二净的。。。个人觉得第二个难。

2010考研英语真题

vast body of = manysave to = except to 这是save的介词意思

你可以先把他弄成大白话 就是这个意思了 有时候翻译书就是这样 直接写那个想要表达的意思 比较隐晦。。。。。 大白话就是“目前 他只有一本书在印制了, 他大部分音乐方面的作品都无人知晓,除了那些专业人士” 就是那个意思咯

你可能是对其中几个主要单词的意思没有弄明白,vast body of约等于a great number of 许多,大量;save是“除了”的意思,约等于except.

原因:save to是个固定搭配的介词短语,是除了的意思。按字面解释,save表示仅限于的含义,和to连用,整个短语算是介词成分。

一、his

1、含义:adj. 他的。pron. 他的。

2、用法:

直接源自古英语的he,意为他的。

He claims it was his idea.

他声称这是他的主意。

二、print

1、含义:v. 印刷;出版;打印;铭刻。n. 印刷字体;版画;印刷;印记;印刷物;印花。adj. 印刷的。

2、用法:

print的基本意思可指印刷品,即印成的“图画,图案,版画等”或由底片印出的“照片”,是可数名词。

print也可表示“印刷字体”,是不可数名词。

How many copies shall we print from the negative?

用这张底片我们要印多少张相片?

三、body

1、含义:n. 身体;主体;正文;主要部分;尸体;躯体;团体。v. 赋…以形体。

2、用法:

body的基本意思是“身体”“躯体”“躯干部”,强调的是人相对于soul, mind, spirit的躯体,而不是人或健康状况,是可数名词。

body表示“躯体”除用于人或动物外,还可用于车身、船身、机身、正文、主体等。

Alcoholic drink can have a bad effect on your body.

含酒精的饮料会对你身体有很坏的影响。

四、music

1、含义:n. 音乐;美妙的声音;乐谱。

2、用法:

music是抽象名词,不可数,可作“音乐,乐曲”解。泛指“音乐”时不与冠词连用,特指“乐曲”时或music前有形容词最高级修饰时,可与定冠词、物主代词、指示代词等连用。“一首乐曲”是a piece of music,“几首乐曲”是several pieces of music。

He is interested in music.

他对音乐有兴趣。

五、save

1、含义:v. 救;节省;保存。n. 救援,救助。

2、用法:

save的基本意思是采取措施把人或动物从险境中解救出来或使其“脱离危险,免受损失”,可指从危险、灾难、困难、错误中救起某人或拯救某人的性命,也可指人储存金钱、食物、节省时间(以备自救)等,有时还可指人“保全面子、名声”等。

Children should learn to save.

孩子们应学会储蓄。

考研英语二2010真题

链接:

提取码:6666

这里有考研历年英语真题及讲解,如果资源有问题随时追问

2022扫描书籍PDF讲义

链接:

若资源有问题欢迎追问~

考研英语一真题2010

2010年考研英语完整版详解   Section I Use of English      解析:A项 affect 意思是“影响,感动”; B项 achieve意思是“达成,完成”; C项extract意思是“提取,榨出”;D项restore是“恢复,重建”. 这句话的意思是:他们想通过实验探究车间照明是如何影响工人的生产率的,所以答案是A。      解析:本题考查了固定短语end up 的用法,end up 意思是“最终成为……”,end 和其它三个介词的搭配都无此意,故选B。      解析:本句的大意为:研究最终总结为一个极具影响力的概念—“霍桑效应”,也正是实验所研究的行为改变了工人们的表现。所以这里应选择C。      解析:作者这里表达的意思是这个问题之所以引起大家的注意是因为工厂女工的行为令人费解。四个选项中perplexing意为“令人费解的”,所以正确答案为B。      解析:本句的含义是:根据研究描述,当照明灯变亮或变暗时,工人的时产量就会提高。四个选项中有描述含义的是C项 accounts。      解析:这句话的意思是:实验中做什么并不重要。 Do not matter 固定表达,故选B。      解析:考查so long as 短语,意思是“只有”,句子意思是:只要有改变,生产率就会上升。      解析:A项awareness 意思是“意识”,B项expectation意为“期望”,C项sentiment 意为“”观点,意见,D项illusion 为“幻觉”,本句的大意是说:工人知到自己本身是被研究对象-这一意识就足以改变他们的行为。所以选A。      解析:见第8题解析。      解析:见第8题解析。      解析:be subjected to表示“服从于,与……一致’,为固定短语。      解析:contrary to表示“与…相反“。根据语境提示,空白处需要填写一个能表示转折意味的链接词。      解析:只有evidence一词可与found呼应,表示“发现或找到证据”。      misleading“欺性,误导性的”,意思上来看,符合语境所表达的意思。      解析:for example与上句呼应,举例说明问题。      解析:duly表示“准时地,在同一个时间地”,填入句中后意思表达更精确。      解析:与前句duly rose呼应,递进说明问题,故应选continue。      解析:此句意思与上句相反,说明另一种情况,故应使用转折词but。      解析:tend to do“倾向于做某事”,说明一种常规的事实。      解析:hit 能与a plateau搭配,意为“到达高地,触及顶点”,句意才符合语境。

考过就忘了一干二净的。。。个人觉得第二个难。

Text 1 Of all the changes that have taken place in English-language newspapers during the past quarter-century, perhaps the most far-reaching has been the inexorable decline in the scope and seriousness of their arts coverage.(T1) It is difficult to the point of impossibility for the average reader under the age of forty to imagine a time when high-quality arts criticism could be found in most bit-city newspapers. Yet a considerable number of the most significant collections of criticism published in the 20th century consisted in large part of newspaper reviews. To read such books today is to marvel at the fact that their learned contents were once deemed suitable for publication in general-circulation dailies. We are even farther removed from the unfocused newspaper reviews published in England between the turn of the 20th century and the eve of World War 2,at a time when newsprint was dirt-cheap and stylish arts criticism was considered an ornament to the publications in which it appeared. In those far-off days, it was taken for granted that the critics of major papers would write in detail and at length about the events they covered. Theirs was a serious business. and even those reviews who wore their learning lightly, like George Bernard Shaw and Ernest Newman, could be trusted to know what they were a out. These men believed in journalism as a calling , and were proud to be published in the daily press. 'So few authors have brains enough or literary gift enough to keep their own end up in journalism,' Newman wrote, "that I am tempted to define "journalism" as "a term of contempt applied by writers who are not read to writers who are".' Unfortunately, these critics are virtually forgotten. Neville Cardus, who wrote for the Manchester Guardian from 1917 until shortly before his death in 1975, is now known solely as a writer of essays on the game of cricket. During his lifetime, though, he was also one of England's foremost classical-music critics, and a stylist so widely admired that his Autobiography (1947) became a best-seller. He was knighted in 1967,the first music critic to be so honored. Yet only one of his books is now in print, and his vast body of writings on music is unknown save to specialists. Is there any chance that Cardus's criticism will enjoy a revival? The prospect seems remote. Journalistic tastes had changed long before his death, and postmodern readers have little use for the richly uphostered Vicwardian prose in which he specialized. Moreover, the amateur tradition in music criticism has been in headlong . It is indicated in Paragraphs 1 and 2 thatA arts criticism has disappeared from big-city English-language newspapers used to carry more arts high-quality newspapers retain a large body of young readers doubt the suitability of criticism on . Newspaper reviews in England before World War 2 were characterized by A free casual elaborate radical . Which of the following would shaw and Newman most probably agree on?A It is writers' duty to fulfill journalistic It is contemptible for writers to be Writers are likely to be tempted into Not all writers are capable of journalistic . What can be learned about Cardus according to the last two paragraphs?A His music criticism may not appeal to readers His reputation as a music critic has long been in His style caters largely to modern His writings fail to follow the amateur . What would be the best title for the text?A Newspapers of the Good Old DaysB The Lost Horizon in NewspapersC Mournful Decline of JournalismD Prominent Critics in Memory

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